![]() Working with samples and loops is such a great way to find new. Liquid mix Logic Logic 9 Logic Express Logic Pro Logic Studio Logic users. Sampling in Logic X is a great way to find new and creative ideas. You'd literally have to bounce down each region one at a time to get the fades to stick (50,000 individual bounces? eh, nope). 64 bit Acustica Audio API Apple Logic Aus audionews Audiopirate Audiowrez. But, Logic doesn't remember these when you "export regions to audio files." They're just. In order to smooth out my cuts I applied a 100ms fade in and a 500 ms fade out to each sample. I also wanted to mention another sample editing related LPX annoyance. Looks like old fashioned scrub/cut/delete is the only way. I did manage to quickly create markers the exact length of my original cuts but still can't find a way to use them to cut to my 9 primary tracks all at once. When you're working with over 50,000 individual samples that'll take forever. Any other method is still pretty tedious and involves a lot of moving the playhead, cut, delete, etc. I just wish there was some way to copy all the cuts from one track to others like Gerhard describes in ProTools. "Remove silence from track" actually does a much better job of trimming samples at the front and end as sometimes transients get added mid-sample. ![]() The sound of the samples is great, but the instrument doesnt respond. Searching for transients works for one track but won't copy that info to other tracks. Dont read this Logic Pro X tutorial-article if you want your sampled instruments. How can I get Logic to cut all the other files in exactly the same spots as my chopped track? Is there a way to select all the start & end points of all regions on one track, then select the INVERSE (silence), and then cut that silence part out of other tracks? There's gotta be a way to do this.ītw, I tried doing "remove silence from track" on each of my 9 primary tracks but because of varying distances and reverb tails it cuts them all at different spots, making it impossible to build a sample instrument from. This gave me a great starting "template" for cutting the rest of my audio files, but there's where I'm stuck. Logic Pro 9: Home folder >Library> Application Support> Logic> Project Templates. Depending upon the version of Logic you are using. Then I used the handy "remove silence from track" feature on that bounced track. Whether you are a new producer or a seasoned pro, templates are a great tool to stay up to speed on the latest innovations in audio production. Since each mic position has a slightly different tail I made a bounce of those 9 tracks to use as my "cut to this" track. I've got 9 audio files, each representing one mic, loaded onto tracks in my Logic session and am trying to figure out the most efficient way to equally cut the silence from all 9. Fabrique includes three different kind of modules which varies in genre and amount of sounds: Firstly there is the PRIME, which covers the wide range of cinematic music and song production, secondly there is the URBAN which meets the needs of dub and pop music and finally the maverick one called EERIE which provides pattern and sounds for horror and dramatic purposes.So I'm trying to cut a set of samples from a multi-mic live recording in Logic. But even if you are not feeling like creating your own pattern, there are available over one 170 presets, ready to be played. Whether you are either searching for the basis for a score cue or for a sophisticated add-on percussions loop or you are just trying to look up organic loops, atmospheric soundscapes or tonal movements or you just wanted to get inspired for a new piece of music, Fabrique provides almost every possibilities according to all these needs. ![]() What is behind Fabrique? Fabrique is a real-time pattern module for creating complex and inspiring musical elements within seconds.
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